Alt-Fans, The Head and The Heart is coming to the ABT this August
While perusing my Facebook newsfeed, an event for The Head and The Heart at the Alberta Bair Theater popped up. I did a quick double-take and sure enough, the event was scheduled for right here in Billings on August 9th. “Yayeah!” As a fan of alt-rock music, I am pretty excited about this. I reached out to Jody at the ABT for confirmation and she sent over the press release.
Here are the details:
The Head and The Heart
August 9th at Alberta Bair Theater
Tickets are $37.50 and go on sale on May 12th at Noon at the Alberta Bair Theater Box Office, 406.256.6052 or albertabairtheater.org
About The Head and The Heart
Recorded in Nashville with producer Jay Joyce (Eric Church, Cage The Elephant), “Signs Of Light” crackles with the upbeat, sing-a-long energy of the Head And The Heart’s finest work. Lead single “All We Ever Knew,” which was written during the “Let’s Be Still” era but never captured to the band’s satisfaction until now, is sure to be a crowd-pleaser, while “Turn It Around” seems primed to be a future concert staple, matching its inspirational message with a lush and multi-layered soundscape.
Throughout, the colors are brighter, the electric guitars are louder and the musical touchstones more universal. The propulsive, smile-inducing ode to Los Angeles “City Of Angels” and the head-nodding “Rhythm & Blues” nod to classic Fleetwood Mac, while the organ-flecked “Dreamer” is a timeless-sounding ballad that could have been beamed straight out of an old jukebox.
“Jay was really adamant about getting a great performance,” Russell says. “We have all the tools in the world to make something sound real or more excitable, but it’s never really as true as the band in the room for the whole take. ‘City Of Angels’ — we had previously re-cut that song and played it so many times. But within two takes in Nashville, we nailed it. It felt like we were playing on a massive stage in front of tons of people.”
Elsewhere, Thielen’s “Library Magic” could almost be seen as a letter to the other five members, acknowledging the ups-and-downs of life in a successful band while celebrating the unique and constantly evolving bond between them. “I wrote that song after having our first real time off as a band,” she says. “It touches on the storied relationships between band members trying to survive living in a van off of accelerated time and gas station crafts for years straight, but it also applies to any of life’s relationships.”
The Head And The Heart’s 2011 self-titled debut album captured a nascent but undeniable creative partnership between six strangers thrown together by little more than a shared love of music. It became one of Sub Pop Records’ best-selling debut releases ever, and rocketed the band to acclaim well beyond its then-home base in Seattle. The formative experiences that followed both on and off the stage heavily informed the 2013 follow-up “Let’s Be Still,” which continues to remind Russell of “the stale beer, bleach and potato chips from all the venues we saw once this became our livelihood.”
On “Signs Of Light,” that gamut of emotions is felt most deeply on the Josiah Johnson-penned title track, which none of the other members had ever heard until they happened to walk in on him playing it over and over at the piano during pre-production in El Paso, Texas. “It was one of those moments where no one talks,” Russell remembers. “No one needs the chords, no one is looking up. You simply pick up your instrument and play. The next thing you know, nearly 10 minutes have gone by and you have no idea how or why or what just happened.”